My next Introduction to Poetry six week course begins on the 8th June. I’m really looking forward to meeting a new group of aspiring poets – the creativity and positive nature of group work always energises me as a writer.
More info on the course content here:
Starts: Thur 8 June 2017
Time: 6.30pm – 8.30pm
Duration: 6 weeks
Cost: €165/€150 Members
This six-week course is ideal for beginner writers, or those who are new to poetry. We will explore different approaches to writing poetry, with the aim of building up a body of work. Participants will discuss image, metaphor, rhythm, sound, the shape of the poem on the page, and then be challenged to respond to a series of fun and inspiring exercises. Favourite poems will be shared as forms of inspiration. There will also be workshop elements for those who would like to share their work with the group.
Jessica Traynor is a poet and creative writing teacher from Dublin. She is the Museum Curator at Epic, the Irish Emigration Museum. Her first collection, Liffey Swim, was published by Dedalus Press and shortlisted for the 2015 Shine/Strong First Collection Award.
Interested? You can sign up here.
Earlier this month, I had the lovely surprise of being nominated for Best Reviewer at this year’s Saboteur Awards. I was really touched by this; I work away on the reviews and they get put up there and I’m proud of them, but generally I don’t have a lot of time to publicise them. So it’s really gratifying to see they’ve been noticed.
There are a number of reasons why I started to review for Sabotage Reviews. As a poet flogging a debut collection, I came up against the usual challenges of getting my own work reviewed; a number of reviewers are friends/ colleagues, so you can’t ask them, many mainstream outlets have little or no funding for poetry reviews, the general lack of a massive poetry reading audience. I did of course also have plenty of successes and good reviews, for which I am forever grateful!
But the experience got me thinking about poetry reviewing and how necessary it is to have people out there reviewing work – for the health of poetry in general. I was intrigued by Sabotage Reviews, a collection of brilliant selfless people who review work just for the joy of reading new poetry, and so I got in touch to see if they would have me. Being Irish and based in Ireland, I was also eager to review work that came from another country. That meant less risk of conflict of interest, and also the golden opportunity to read new work from a very different milieu. Since I’ve started reviewing for Sabotage Reviews, I’ve read new work from all across the UK and the USA. It’s been a pleasure.
There’s a spotlight on the nominated best reviewers here. I’m shamelessly pulling some lovely quotes people left about my work when they voted:
Why voters think she should win:
- Committed, passionate and fair-minded – a force for good in poetry on the page and off.
- A bright and forensic voice
- Jess gets what reviewing is meant to be about: discussing works on their own terms, with a sensitive, empathetic and nuanced critical faculty.
- She is balanced and remarkably frank
As I said above, I really admire the Sabotage Reviews Project. Everyone involved is donating their time for free, for the good of the written and spoken word. I’d love you to vote for me of course, but do have a look at the other nominees and categories too. There’s lots of great work in there that deserves to be recognised.
I had the pleasure of reviewing Helen Dunmore’s elegiac but uplifting ‘Inside the Wave’ from Bloodaxe Books for RTÉ’s Arena last week. This is a book that deals with mortality, but also surprises with its insights and imaginative drive. You can have a listen here.
I had a great time reading some extracts from Pablo Neruda’s work and talking about his life on RTÉ’s Arena last Friday. The poems are such a joy to read, it’s difficult not to get carried away by their passion and music. You can listen back here.
I’m also looking forward to seeing the new Pablo Larraín biopic (image above), but see it’s just been panned in the Guardian…great reviews elsewhere so I might take a chance. I like the magic realist stylistic approach and I think I’ll be happy to forgive any artistic licence taken in pursuit of a good yarn.
I’ve been lucky enough to review some excellent work this year so far for Arena, and these two starkly different collections stood out for me.
You can have a listen to my thoughts on Emily Berry’s dark and compelling Stranger, Baby here.
And my thoughts on Simon Armitage’s The Unaccompanied here. I’d some (enjoyable) arguments with this one, and it certainly feels like a collection for our times.