On Monday night I was part of a special Arena takeover with Kevin Barry, novelist and co-editor of the Winter Papers, Ireland’s arts and literature annual (kind of like the Beano for artsy types). Myself, Sarah Baume, Paul Lynch, Mary Morrissey and Kevin chatted with Sean for the full hour about our contributions to the annual and also got to choose a winter-themed poem or song to play. I chose Winter by Kristen Hersh. Afterwards, we headed into town for the first Christmas party of the season.
Kevin and his partner and co-editor Olivia Smith do an excellent job commissioning and collating poems, short stories and articles and producing a beautiful book – so lovely I didn’t want to take it out of the house on my trip to the studio for fear of it getting rained on.
This year, Olivia and Kevin approached me to write an article on Blue Raincoat Theatre Company, a Sligo-based theatre company who specialise in interpretations of European contemporary classics, and new writing. I focused on their recent play Shackleton, a movement-based reimagining of the story of Ernest Shackleton’s voyage on the Endurance, using puppetry and soundscape, but also took the opportunity to chat to director Niall Henry about what drives the company. I really enjoyed writing the resulting essay on the company’s work – especially because although I’ve worked in theatre for the past ten years I’ve rarely had a chance to reflect on the process of theatre making through my writing.
Novelist Sarah Baume’s contribution is an intriguing and intimate account of her meeting her hero, artist Dorothy Cross, in her home in the West of Ireland. Paul Lynch’s short story is a study in masculine tension, skilfully interrogating a father-son relationship. And Mary Morrissey’s story is fuelled by poignant but clear-eyed reminiscence. The anthology also has short stories by June Caldwell and Blindboy Boatclub of the Rubberbandits, and poems by Stephen Sexton and Roisin Kelly.