It’s been quiet around here the last while as I’ve been busy with a couple of projects. Firstly, I changed roles within the Abbey at the beginning of June and am now the Literary Reader. I’m really enjoying my new work; it’s much more closely focused on reading and assessing plays, which is what I like to do. There are also some other exciting developments in the works, but more on those later.
I’ve just finished up a Wednesday evening workshop course with Big Smoke Writing Factory, which I’m already missing. This was a course for slightly more advanced playwrights who have a draft of a play that they want to knock into shape. I had a lovely group with interesting voices and incredibly varied interests and preoccupations. It’s wonderful being in the middle of that creative dynamic. The structure of the course was as follows: each week I’d circulate an extract from some successful contemporary plays from Ireland, the UK or the USA and we’d begin the session by discussing them. In this way I hoped to give mini-masterclasses on current trends in theatre while also demonstrating certain playwrights’ skills for characterisation, dialogue, structure etc. After this, we would workshop an individual scene from two or three of the participants’ plays. None of us purported to be brilliant actors or readers, but hearing the scene read aloud and receiving the group’s critique is an invaluable part of the process which can be difficult to simulate at your writing desk on your own. A combination of complementary reading and workshopping seems to be a winning formula when it comes to developing work and the group all left very happy, some of them with plays that will be produced in the near future. I do miss them, though – it was a lovely way to spend my Wednesday evenings. I’m hoping to run a similar course at the beginning of 2014.
Over the past months I’ve also been working as dramaturg with Chalk Talk Theatre Company, helping the wonderful Máirín O’Grady and Louise Melinn develop their play for the Fringe Festival. Working with director Aoife Spillane-Hinks has also been fantastic and after a couple of months of hard graft, the script is ready to be subjected to the rigours of the rehearsal process. Both playwrights were always open and receptive to feedback and demonstrated a real passion and dedication to their work. Even over the past few weeks, when both knew they were on the home stretch (and were exhausted) they kept plugging away at the script, smoothing out any final inconsistencies or hang-overs from previous drafts. It’s so refreshing to see that winning mixture of energy and discipline in young playwrights. It was a real pleasure to work with them and I’m looking forward to seeing the play, which is a smart and funny – a surreally allegorical take on the Irish emigrant experience. Oh, and Aoife, Louise, Máirín and producer Aisling O’Brien have assembled a brilliant cast and creative team as well. Watch this space for more updates on the show and put it at the top of your Fringe must-see list.